A couple of weeks ago I saw a Petapixel article about a photographer called Alireza Rostami. This photographer modified a Zenit MC Zenitar 50mm f/2 lens and created some extraordinary images. He did this by taking apart this lens and flipping one of the lens elements the other way around. Some were amazed by the results, others thought they looked awful. I really liked some of his images and was itching to try it for myself. As this lens is very cheap (I bought one for around 40 euros), I didn't worry too much about messing up the assembly or not liking my results.
Being an admin of one of the best en most fun Facebook groups that exists on this planet (okay I'm a bit biased ;-)) I get to opportunity to try out lenses made by the Meike company, which they very kindly provide us with, so we can use them for our traveling lens project. In this project selected members of our group (the Micro Four Nerds Facebook group) get the opportunity to try out (Meike) lenses. This time Meike send us the Meike 85mm f/2.8 macro lens. Here are my experiences with this lens.
Wherever I go, Nikki is with me. Well, most of the time. We go on walks together and visit friends and family together. When I leave the house, I usually also take my camera with me, as I'm always looking for interesting things to shoot. Because Nikki is often with me, she regularly shows up in pictures I make and post on the internet. Her being in my pictures on Flickr, Instagram, Facebook and on my website makes her a familiar sight for hundreds if not thousands of people who visit these pages. Now, next to being photographed, and her image showing up on the digital highway, they now also exist in a more analoge form; in paintings. This is the story of how her foxy smile was captured on canvas.
Simon did it again. Unbelievable. He managed to hook us up with two very beautiful ladies who were willing to go with us on a shoot, so we could provide them with glamorous photographs. I'm so lucky to be his wing man ;-) This time it was the sisters Farah and Noor, who really wanted a shoot at a nearby lake. As we also liked the idea we went ahead with it. The girls picked us up with their car and together we drove to the location, with the boot of the car loaded with Simon's gear (Canon 5D mark IV, various lenses two Godox Ad200 and a Godox 95cm Soft Box).
Simon and I often talk about potential models and the type of photography we could practice. Because my model acquisition skills aren't as developed compared to Simon's, it is always Simon who provides the subjects. He makes it possible that we get to hone our photography skills, while the model ends up with some very nice images for free. So everybody's happy. Those conversations about potential models mostly consist of Simon having a list of names and describing (maybe strangely enough) the character of each potential model (instead of her looks) such as confident, wild, happy go lucky, talkative, etc. and the kind of work she does. When I think of models, I think of young women. The kind you see in most magazines. So when Simon asked if I fancied joining a photoshoot photographing Henry, I was a bit confused. Didn't hear that name drop before and the name didn't sound very feminine to me. As it turned out, he wasn't.